Vampires: Brighter in Darkness isn’t a work of incompetence so much as the result of writer-director-editor Jason Davitt’s grand ambition exceeding his £5.99 budget. Then Lucas travels to Green Screen Egypt to meet with Semech (Richard Sherwood), who I think is like an ancient vampire king (but he’s still a queen, gurl), and then I went to the kitchen to make a pot of coffee because there was no way I’d be able to make it to through the next hour and ten minutes remaining without some additional caffeine in my system.Įxperience the horror of ’90s caliber CGI. Not only do Lucas and Toby have an angry Anthony to contend with, vampire queen who turned Lucas, Lilith (Abigail Law-Briggs, who gives the movie’s best bad performance), has returned, and she’s mobilizing her coven and summoning CGI demons from the Sega Genesis Hell to take Lucas back into to her fold, or whatever.
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Law-Briggs wears it for the movie’s entirety.Īlas, the movie maintains a glacial pace, despite promising to ramp up the action.
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Those cabinets a different color would do wonders. Thoughts about doing something with that drab kitchen. So much for taking things slow.Īnthony and Lucas prepare to do battle, yet I’m preoccupied with He makes Toby one of the undead, of course, though he at least asks Toby’s permission, as he’s a gentleman. This leaves Lucas with a choice: let Toby die or make him a fellow vamp. Toby manages to invite Lucas inside before he bleeds out and, after lot of hissing, growling and fast-forward action, Lucas manages to fight Anthony off. What the audience knows but Toby doesn’t is Lucas is a vampire!Įxcept the man on top of Toby isn’t Lucas but Lucas’ jealous ex Anthony (James MacCorkindale), who shape-shifts back into his true form when Lucas appears at the front door. Through the power of boners, he convinces Toby to invite him inside, whereupon the two make-out hot and heavy. However, Toby goes home alone as the two men have agreed to take it slow.īut just as Toby is about to enter his flat, Lucas appears on his doorstep, only now Lucas is more menacing and rape-y than suave and charming. By the date’s end the two men are, if not in love, at least very infatuated with each other. Lucas is equally enchanted by the working-class stud.
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And he’s wealthy, too, having reserved the entire guild hall restaurant so they can be alone. Toby’s date isn’t with some drooling troll but the very handsome, very elegant Lucas Delmore (Rhys Howells). Though Toby doesn’t have high hopes the date will be a success, he nevertheless bathes for the occasion.Īnd gets our hopes up for what will follow. Like any cute, young gay man, Toby Brighter (puppy-eyed Dan Briggs) has had trouble attracting a man in the six months following his breakup, so his sister Charlotte (Rebecca Eastman, deftly making her obnoxious character insufferable) has secured him a blind date via a gay dating website. Which is how I ended up watching the 2011 British “film” VAMPIRES: BRIGHTER IN DARKNESS. And like a willing victim, you press play. Eventually a thumbnail image of two or more attractive men, baring fangs and abs, will catch your eye, tempting you to join them.
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You just have to step off the well-lit path of Netflix and Prime algorithms and go deeper into the streaming service abyss. Interview with the Vampire had potential, but then theyīut the gay vampire is out there.
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Yet while there are quite a number of movies featuring lesbian vampires, gay vampires aren’t quite as well represented (though there might be some mitigating factors). And since it’s ideal for sexploitation, then it stands to reason it’s perfect for gaysploitation. After all, seduction is a large part of the vampire’s M.O. The vampire was just made for sexploitation.